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  • March 25, 2016

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    Tempus Fugit: On Time and Transience

    International Cultural Centre
    Krakow
    From 3 March until 8 May 2016 »

  • March 21, 2016

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    Michael Booth, "The Almost Nearly Perfect People. Behind the Myth of the Scandinavian Utopia"

    Picador
    New York 2014 »

  • March 18, 2016

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    Ukraine: Waiting for a Hero. Kostyrko, Rawski

    International Cultural Centre
    Krakow
    From 23 February until 3 April 2016 »

  • March 15, 2016

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    Zofia Oslislo-Piekarska, "Nowi Ślązacy. Miasto, dizajn, tożsamość"

    (New Silesians. City, design, identity)
    ASP
    Katowice 2015 »

  • March 11, 2016

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    Csaba Nemes: When Politics Enters Daily Life

    MOCAK Museum of Contemporary Art
    Krakow
    Until 27 March 2016 »

  • March 03, 2016

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    Ola Hnatiuk, "Odwaga i strach" (Courage and fear)

    Wydawnictwo KEW, Wrocław 2015
    / Оla Hnatiuk,Widwaga i strach
    Translated by Marta Bojaniwska, Duch i litera, Kijiw 2015 »

  • February 29, 2016

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    Z mojego okna widać wszystkie kopce

    March 5 – May 8, 2016
    Bunkier Sztuki Gallery of Contemporary Art, Kraków
    Opening: Friday, March 4, 5 pm
     »

  • February 26, 2016

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    The Ukrainian Almanac "Frontyry mista" (City’s Frontiers)

    The idea for publishing this almanac emerged after the Orange Revolution, amid an increasingly heated dispute over how to write the history of Dnipropetrovsk, especially its date of foundation.  »

  • February 20, 2016

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    From the Bottom: Artists for the Silesian Museum

    Silesian Museum, Katowice
    Until 28 February 2016 »

  • February 16, 2016

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    Ziemowit Szczerek,"Tatuaż z tryzubem"

    Czarne, Wołowiec 2015
    Ziemowit Szczerek’s second book about Ukraine consists of thirteen texts, passages from which were earlier published inPolityka,Nowa Europa Wschodnia, andDziennikarze Wędrownimagazines. The author followed the topos of a road – this time from the West to the East – which let him construct a series of conventional representations of Ukraine as a defunct post-Soviet state. Szczerek believes that its fecklessness is manifested chiefly in the realm of aesthetics, dishevelment, and lack of form that in the last quarter of a century, and even much earlier, have claimed the public space of Ukrainian cities. »

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