Edvard Munch. Love, Death and Loneliness

(Edvard Munch. Liebe, Tod und Einsamkeit)
Albertina, Vienna
Until January 24, 2016 »

Július Koller, “?”

Museum of Modern Art
Warsaw
Until January 10, 2016 »

Happy Holidays!

Wishing you some great reads for Xmas and discovering Europe in New Year 2016.

Herito editoring team.

Thank you for being with us! »

Caught by the night: Czech Artists in France 1939–1945

(Zastihla je noc. Čeští umělci ve Francii 1938–1945)
Moravian Gallery, Brno
Until January 10, 2016 »

Ludwig Goes Pop + The East Side Story

Ludwig Museum – Museum of Contemporary Art
Budapest
Until January 3, 2016 »

From Hockney to Holbein. The Würth Collection in Berlin

(Von Hockney bis Holbein. Die Sammlung Würth in Berlin)
Martin Gropius Bau, Berlin
Until January 10, 2016 »

Listening to the View

It’s good to walk in a north-easterly direction just after sun-up, towards the end of April, if you have a big nose and ears. You turn yourself to the light so that it warms the right slope of your nose and spills over a little onto your left cheek, and so that it also falls not straight into your ear but onto the back of the lobe, and then you sense the direction like an old bullfinch, as if you were shooting along the course of a river or the shaft of the Plough. The fundus of the eye, with its sensitivity to the angle of the sun’s rays, is another useful instrument. All this proves crucial if you have to walk three or four kilometres in a forest as primeval as that east of Hajnówka, where there are dead and fallen trees and hollows everywhere, and you need your hands to make progress as much as your feet, which means you have no way of using your compass or your navigator. »

Mathias Church. Centuries of the Church of Our Lady in Buda Castle

(Mátyás templom. A budavári Nagyboldogasszony templom évszázadai)
Budapest History Museum, Budapest
Until January 3, 2016 »

Landscape. A Brief Introduction

Landscape research is currently developing along several distinct paths: aesthetic, perceptual, ideological, memory, and performative. Although in each case landscape is interpreted from a different perspective, and its different aspects are brought to the fore, the multidirectional nature of these studies does not signal sharp divisions; on the contrary, it would be fair to say there is mutual support and flow of ideas. »

Andreas Groll. Vienna’s First Modern Photographer

Wien Museum, Vienna
Until January 10, 2016 »